Muhammed Humphrey

Nordt Nordt is a wide sans serif typeface made up of 40 fonts across 10 weights with normal and slim options. It’s a unique and modern sans typeface, which is well suited for a variety of typographic applications such as headlines and small texts. The Nordt font family supports multiple languages and is available as both webfont and desktop font. Nordt Download Now View Gallery

Rupert Rupert is your new best friend! the type who’s truly happy when you’re happy, excited when you’re excited, and sad when you’re sad. He’s always has your back and is never judgemental. Rupert is a geometric sans-serif consisting of 8 weights , ranging from Thin to Black with matching italics. At the moment he supports extended Latin and plans on growing in the future to cover all of your needs. Rupert ’s OpenType features include tabular and old-style figures, fractions, ligatures and case-sensitive forms. He's flexible to accommodate all of your graphic needs including display, corporate, editorial, web and many more environments. And the best part is... Rupert Light is free to download! So grab it now and begin building great work together. Rupert Download Now View Gallery

Download Now Server 1 Download Now Server 2 Download Now Server 3 Klaud is our new slab serif family with 14 styles. It is compact, stable typeface that's carefully designed to suit in every possible situation where an working horse typeface could be used. Klaud is good balanced, visually equalized family that looks and feels smooth in longer texts and paragraphs, but works well in headlines also cause it's gentle decorative letter parts. Strong look is achieved by more squared then rounded characters design.  As mentioned, Klaud is perfect to fit into any designer's project – from editorial use as the main typeface to situations where you are looking for a couple of words only like posters or packages. It is fully legible and versatile as web font also. Klaud is offered with OpenType features like Numerator, Denominator, Fractions, Small Caps, Oldstyle Figures, Lining Figures, Standard Ligatures, Case Sensitive Forms, Arrows, Alternate Annotation Forms. Klaud Kla

Download Now Server 1 Download Now Server 2 Download Now Server 3 Serif typefaces have undergone a constant change over time; this has allowed the emergence of modern shapes that bring expressiveness to each letter, making them fun to use and design. Milanesa Serif is a typeface family with seven weights that changes the contrast angle in its black version, achieving a particular transition in the different interpolations. Beyond maintaining the traditional canon in a serif, Milanesa plays with a modern concept to impose its versatility in different graphic applications. Milanesa Serif undergoes a metamorphosis in its weights, intensifying its shapes and varying its counterforms without losing the sense of the typeface family, perfect for versatile uses such as web design, editorial or packaging, among many others. Milanesa Serif Milanesa Serif

Download Now Server 1 Download Now Server 2 Download Now Server 3 Spiegel Sans combines the shapes and proportions of an American-style gothic – the ultimate industrial typeface – with subtle diagonal stress and almost imperceptible traces of handwriting. Spiegel Sans Spiegel Sans

Download Now Server 1 Download Now Server 2 Download Now Server 3 Just as most buildings are based on a structure of vertical columns, horizontal floors, square angles and the occasional arch, most Latin typefaces are designed within a largely uniform, static, alphabetic structure that provides a framework for playing with the style of the terminals —serif, sans-serif, slab-serif, flared, Tuscan— without significantly modifying the deep anatomy of the letters. Orgánica Pro, by contrast, proposes a different structure: curvilinear, subtle and sophisticated, beyond the typical «sticks and balls» model. Organic anatomy, in one word; deliberately dynamic and asymmetrical. Over this radically distinct structure, terminals play a characteristic, expressive role that challenges easy classifications: Is this a serif or a sans font? A semi-serif? A semi-sans? For text or display? Modern or ultra-modern? Joke or serious? All answers are valid. Anyway, its six stylistic variants allow for multipl

Download Now Server 1 Download Now Server 2 Download Now Server 3 Megumi was originally commissioned as a headline face for a fashion and lifestyle magazine with a heavy Japanese influence. The uppercase letters are narrow and have an almost monospaced aesthetic, being influenced by Romaji letterforms. Serifs are severe, and curves sinuous. Although experiments were made with extra weight, it was decided that only this ultra light weight would be developed, to be set large in headlines. The italic has an over-the-top 35° slant (so slanted in fact that the backslash from the italic is the exact same shape as the forward slash in the Roman) and a discretionary ligature feature that can be engaged to add extra interest to headlines. The Roman has a few wide alternate glyphs for round uppercase characters. Both styles have a stylistic set (ss03) feature which switches regular parentheses for angle brackets, which the Art Director thought “looked cool”. In a mess of venture capitalist pull