Muhammed Humphrey

Moula Moula is a modern sans serif with a geometric touch. Containing of 18 font, 9 uprights and its matching italics. It's shown a clean, minimalist, elegant, warmth, quirky, yet still purposed to be versatile and easy to read. Fit for various design or creative project. Support extended language (+ Cyrillic), fractions, tabular figures, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate as well as for editorial design. Moula Download Now View Gallery

Rhein Rhein gets its name from the German river that runs through the western border valley. Rhein is a sans-serif typeface family for titles, editorials and graphic design pieces with high impact needs. Rhein was not only conceived as a font design with rounded corners, but its intersection points have been also smoothed. In addition, the wide range of 8 weights that vary from Thin to Black allow relatively long continuous reading (Regular, Medium, Semibold), and short reading designs (Black, Bold, Thin). On the other hand, the "Inline" variant is extremely provocative to fit into any branding project. To add dynamism and to expand the typeface range of use, it was designed as a family of alternatives. Together, the 18 styles of " Rhein " provide a range of options that adjust to the needs and current design and advertising trends. Rhein Download Now View Gallery

Capitana Capitana is a Geometric Sans with humanistic proportions and open apertures. This means that all shapes are constructed from basic forms, the circle, triangle and square, and are designed according to the classic proportions of the Roman Antiqua. Distinct ascenders and pointed apexes with deep overshoot give it a cool beauty and classic elegance. Capitana is an ultimate allrounder: with 784 characters per style in nine weights from Thin to Black, it offers both light and extremely heavy weights for striking headlines. Its open forms make it particularly legible in small sizes, and it also offers several styles for running text. Capitana has a powerful opentype engine with small caps plus corresponding figures, tabular and oldstyle figures, arrows, alternate letters for g and a, as well as fractions, subscript and superscript, However, with its minimalist design and low contrast, it is best suited for on-screen use – meaning web design, user interface design (UI&UX

Capitana Capitana is a Geometric Sans with humanistic proportions and open apertures. This means that all shapes are constructed from basic forms, the circle, triangle and square, and are designed according to the classic proportions of the Roman Antiqua. Distinct ascenders and pointed apexes with deep overshoot give it a cool beauty and classic elegance. Capitana is an ultimate allrounder: with 784 characters per style in nine weights from Thin to Black, it offers both light and extremely heavy weights for striking headlines. Its open forms make it particularly legible in small sizes, and it also offers several styles for running text. Capitana has a powerful opentype engine with small caps plus corresponding figures, tabular and oldstyle figures, arrows, alternate letters for g and a, as well as fractions, subscript and superscript, However, with its minimalist design and low contrast, it is best suited for on-screen use – meaning web design, user interface design (UI&UX

Download Now Server 1 Download Now Server 2 Download Now Server 3 Let me introduce our cool new sans serif font Logica Sans ! It is a versatile font. Great for logo design, mobile apps, online and print use, and a wide variety of projects. We will be constantly updating our font. Add new languages, glyphs, font styles. Follow the updates! We will be glad if our font helps in the development of your project! Logica Sans Logica Sans

Download Now Server 1 Download Now Server 2 Download Now Server 3 The Boboli garden in Florence (16th century) is one of the first examples of Italian renaissance garden, where nature was shaped into geometric beauty; the Boboli font was designed in the same spirit, filtered by a Modernist view.   It comes in two sets, Fall/Winter and Spring/Summer: by mixing them you can compose the typographic season of your choice.   From the geometric, minimal Fall/Winter set stem the leaves of the baroque-esque Spring/Summer set, with many stylistic alternatives that allow perfect matching.   The two opposite styles merge perfectly, because the leaves are not mere decorations but organic part of the structure, achieved by sampling the curves of the basic glyphs.   With Boboli design meets nature, Bauhaus goes greenhouse. Boboli Boboli